Ideas For My Art Board

Yes, it is back: IRON MAN 2



By: Jon Favreau.
Starring: Robert Downey Jr., Scarlett Johansson, Gwyneth Paltrow, Samuel Jackson, Michey Rourke.
Genre: Fantasy (124 ').
Comment: The first "Iron Man", no use denying it, was another matter. But in the period in which the film takes the sequel, especially comics, and having fun, except in rare cases, to feed them to ravenous critics, the fact that the second installment of Robert Downey Jr. and his prosthesis does not face too regret the incident three years ago may already be considered a success. New characters, new action, adrenaline nth: after all the key scenes are seasoned with fast engines and mechanical, a kind of Sonic transplanted to the big screen that prepares, in a few months, to receive something like (though much more eighties) with Tron Legacy. We remain on the piece, however: why does Iron Man 2, despite the great crash, the banality of the plot and the conglomeration of-villains or against the protagonists, usually a product that bloats comics like this? Why conceptually the brainchild of Jon Favreau (who edited the first film, cleverly did no more than follow the guidelines in the sign of continuity) is born to live fast. The dialogues are never profound, but choose to be brilliant, so fun and leave something there is emptiness, then, only so much frenzy at the end of frullatone, delivery to the public, if not philosophical thoughts on the man-machine relationship, at least a lot of fun and irony. To this the hero Marvel was born on the big screen and is able to maintain this mission: the enemies are immediately on the scene, without wasting time (all'incipit attention, which is again the second part ended up right where the first film, only from a different perspective), the plot is fueled by a chlorophyll is chaos (ideally to music by AC / DC), well acted out because it remains shallow. The character of Nick Fury is indeed fascinating, new promises related stories and above all reveals the second major weapon in this series: the charisma of its stars. Robert Downey Jr. and on all the bad perfect Mickey Rourke: so "in role" to seem born for this very film.
Do not miss: The first close encounter between Iron Man and Whiplash, which is no coincidence that fed heavily on the trailer for the film. High voltage, in every sense.

RATING: 7.5 - RESISTANT

Upper Back Pain When Drink Cold

love and other disasters ... is not a disaster! As there is little titanic



By: Nina Di Majo.
With: Margherita Buy, Luciana Littizzetto, Fabio Volo, Francesca Inauid.
Genre: Comedy (102 ')
Comment: Almost a film version of "What that women do not say "the Mannoia (especially if we consider the first woman in the story), or if you prefer, a film definitely female, giving birth, written, designed and performed exclusively by women. Ben is, however, this form of "sexual racism" if you need then to produce something that is perhaps not totally fresh, yet knows to avoid the freezing of some Italian stereotypes. Weddings and other disasters not sure smells of lavender, however, knows prevent mold of dé ja vu from some of the stories and knows the goal to base its success in the mid centered on two fundamental paradoxes: first, a comedy centered "collective" (the marriage, trivially, splits into two, not counting guests, parents, witnesses and others) on the dizzying test Margherita Buy, ever the true wonder of film. Then she finally refused to write a final chained and shackled, avoiding close some streams that flow from the main plot: not everything has to be justified in moraletta behind a mo 'of commentary, some sin can remain segregated and happiness, after all, does not need a logical end. Certainly the change of the characters (usually for the better for the good, toward obscurantism for bad) is held from head to foot, but I do not know who radiates a sincere quell'ammiccamento in continuous breach of some of the distortions and protagonists, even if put in a bad light. A play, puppet woven on a story not excellent, however, already able to avoid the flatness (and trash) to certain films. Fabio Volo is philosophy of ignorance, maybe us, maybe there is, however, is where you put it, and there is good, while Littizzetto, listen, listen, use a vocabulary that also sweetened unable to believe true. The proof that, with intelligence and a great solo talent, the whole orchestra, even without a budget blockbuster, it can play a good concert.
Do not miss: The hidden advertising to the Mac? Or maybe the content of that Mac ...

RATING: 7.5 - RIUSCIT (IN) O

More Discharge With Brazilian

: Clash of the Titans



By: Louis Letterier
By: Sam Wortinghton, Liam Neeson, Gemma Arterton, Ralph Fiennes.
Genre: Fantasy (105 ')
Comment: crap disguised as a fantasy blockbuster, with plenty of digital effects pixelated, so poorly managed, and the foolish belief that the amount is synonymous with quality. But no, even in a movie born to be fracassone, with a passport required to work excessively commercial and plebeian, too much good thing: too many enemies, deepening a laughable steal space in the plot (large presentation of evil, decadent, even before intimidate their fate), too many quotes from other films (from The Lord of the Rings saccheggiatissimo in sets, in Excalibur, one of the pioneers of special effects, and was in the 80s), too many fake dialogues based on a script cut seen and reviewed, full of epic scontatezza and sports bar. The cast is astonishing in that the waste is evident by scrolling the names of the new generation of artists - Sam "Avatar" and Wortinghton (s) Former Bond girl Gemma Arterton - mixed with fantasy, however, that the giants have just chewed ( Ralph Fiennes / Voldemort in Harry Potter is Hades, Liam Neeson is a fish out of water, and stop point). The plot is dramatically flat, fast, video game, in fact, worse than a video game, because a game offers well-made companies much more difficult and less commonplace in this pastiche, or mess, that does not make it on the new fashion of the peplum movie. The ups and downs are well potential, and the expectation of the next level is widely heralded in all its nuances, just enough wit to argue a minimum of a better ending already, before you even see the real ugliness choice by the director as a solution (not Random exaggeration worked Hulk). Psychology absent, of course, because the action movie wants its share, and do not come and tell me that this is an unassuming film, why the hype and the portfolio overflowing, required very different emotions. Or at least, quite another adrenaline.
Do not miss: Those € 2 and 50 literally stolen for a 3D does not make sense. If you must, watch the old, two-dimensional sound.

VOTE: 3 - STROKE GOBBO

How Does Anti Adipose Tea Work?

phenomenon beyond the Alps: THE LITTLE nicolas



By: Laurent Tirard.
With: Kad Merad, Valerie Lemercier, Maxime Godart.
Genre: Comedy (91 ').
Comment: A feast for the eyes, the soul, and why not, and for the brain. The French gave up the palate and the patriotism of the culinary tradition (but in this film there is a meal worth of benefit) and give a good lesson to our own trite comedy. "Nicolas" is a cool movie, like the view of the world from a child, and confirms Kad Merad, actor almost unknown until two seasons ago, as a certainty when he's there, go quietly to be a successful work. He needs to work in pairs, this time as a trio, in a film that lifts the vision of the family without cliches or platitudes, but with the unexpected and caricature. This is because the world must be able to force an exaggeration, if it is seen through the eyes of a pre-teen: whether it is a continuous misunderstanding (between a brother who was born or maybe just steal the scene, a parent with the deformed face of an ogre, a good mechanic mistaken for an unerring assassin) whether to paint situations with sudden topic, one way, but not heavy. Nor surprisingly, the story comes from the father of Asterix Goschinny, one of the smartest comic book ever born. Nicolas and his friends have the retro feel, which leaves a good mood - and a dash of dependence - in who comes out of the room, in a healthy revival of what were the Little Rascals American television, directed evolution, a little faster and ramshackle of poetic naughty Chaplin. That just happens, even if wrongly, passes often to be more French than English. The stylized direction, but never frantic, does the rest, seasoning with the right hand and wrap the product. Dedicated to us, to discover that we needed Gianburrasca our cousins \u200b\u200bacross the Alps. In a return to the past with the scent of modern nostalgia.
Do not miss: Those initial 5-6 minutes, enough to outline all the main characters. Headlines in medias res, and at the same time because they have entered into the jovial atmosphere of the story.

VOTE: 9 - DELICIOUS