By: Andrew Stanton
Genre: Fantasy / Animation (96 ')
Comment: There is a frame of Wall-E very happy that we remember: the all-sweeping robot that flies in space and touches the stars (or maybe the saturnine circles), the primordial encounter with a previously unknown galaxy. It 's a moment that renews with a Spielberg masterpiece of almost 20 years ago and makes a new Wall-E ET: the perspective (human evil, or at least superficial, "different" good and capable of unexpected feelings) does not change over time, even if it is to change the proscenium. This time, to cultivate human relations Wall-E will be shot into space, facing the hardships that the mechanization of mass forces, in contrast to the purity of emotion. The film, compared to Pixar's previous works, we do not think of the most successful: however, this is our first analysis undergoes a strong influence from the classic film, which makes our view completely revised by the user of the film. We will explain better: the great courage of the leaders in dealing with Americans is a feature than an hour and a half without ever sketching a complete exchange of words. Robotti between noise, offset and often stereotyped dialogues of the human being to suffer a negative light crease seems to be just the rhythm, played, as expected, up comedy and physical speed of the characters. Still remains a compelling storyline that unfolds while the wings of its plot, not forget to throw a thought: there is the environmental message, evident and almost elementary in its explanation (but since this is the film directed primarily to children, can not be considered a fault) and there is also space for a charge very strong (although the most politically correct style as Pixar: The Simpsons and Shrek, so to speak, are something else) to the massification of society, with a particular prevalence of the problem "obesity" so dear to Americans. The final atomic then resembles the delirium of Svevo in "The Confessions of Zeno" just eliminating all the land be shared with inner purity, the same that leads man to return to a primordial state and to rediscover the extraordinary perfection of small things. Wall-E is a kind of mechanical consciousness of the man who has lost his soul, yet not always able to move (as he did, remaining in comparison, ET): the work still deserves an acclaim for its originality and marks a further step forward (the improvement over the "Monster" and "Robots" is evident) to an increasing presence of non-human in our cartoon. Moreover, the future calls, as well as the animation must meet: to present a message less rosy than usual, and sometimes even apocalyptic, does nothing but point out the impression of a film outside the box, but at the same time able to "classicizzare" new topoi ... even cartoon Wall-E, in short, it is still a classic, but it could soon become converts and harvest.
Do not miss: The original short called "Presto" much more behind the irreverent humor of the next feature, hides another accusation to the world of magic (or more generally human), offering a sword to defend in animals and animal.
RATING: 7.5
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