By: Tim Burton
Starring: Johnny Depp, Helena Bonham Carter, Mia Wasikowska, Anne Hathaway, Crispin Glover.
Genre: Fantasy (108 ').
Comment: We want to tell the truth? But throughout it all, to the end, without infringing on anyone's majesty? This Tim Burton has quite disappointed so enough to think that Alice in Wonderland is not the result of his (usually) clever inventiveness and imaginative power of his earnest, but to a consummate director of the remake, which accepts the story, but not the renunciation of violence done to give his ego, sometimes overbearing, in the reinterpretation of Lewis Carroll's masterpiece. Alice is still a good film, but the impression, leaving the room, you have been dealing primarily with a big missed opportunity: if, at the entrance, you wonder how I do I like to diverse brain Burton have waited so long to put meat a story tailor-made for his career populated by strange creatures and gothic insanity, you have to exit remains the doubt and replace it. Because Burton did not dare? We would not want his stay English had a little 'gentrified former director of the dark side, I suspect this flag exacerbated by Her Majesty's tax history since the initial fog of London. The impression is that the respect owed to a literary landmark, also want the intercession of the Disney production, both in boundless admiration too stuffy, patrician, the death dell'antieroe. The poetry and lyricism of Burton shrinks behind the plot of the obvious, handed down by an oracle and unable to deflect: after all, the final emancipation of Alice knows a lot of liberation stopped, not full, together with directing the moves (not always explicit) of the director. He moved his criticisms, perhaps heavy, hour and forty film exhibits a brisk plot, which has some merit in the midst of shame, to not lose any pieces in the street, speeding up the story to fit the concentration of the youngest and also the eternal spigliatezza request of the adult world. The renovated between human beings and digital (new, but not too much of Adam's breath fantasy) may appear as mere caricatures, but after this they were also in the original, while Deep Mad Hatter does not justify all the waiting, with a test over the top, but too much butter in a heavy make-up for too long not to be "normal" in comparison with the actor. Cheshire Cat, Caterpillar, rabbit and hare are the legacy of history, to which Burton gives people a lower dose of irony, but if nothing else from which squeezes the expected rematch of supporting actors, quasi-actors: using them would help in better tone. From the fabulous scenery, the armies of papers and also the interpretation of the two queens (Anne Hathaway has never been so theatrically apt in its stupidity) and Mia Wasikowska, debut, but no demerit shows some defect of personality. Wasted by far the 3D as never before half time to make money, and stop point. In summary then, what captivates Burton is a special Oedipus complex: if the director invented from scratch, God the Creator and Father of becoming a history all its own, then it is wrong not even a comma, loving creature and dipping all the madness that is its trademark, but if the remake does not look up from the horizon of the "good movie" . It is no coincidence that the last was his masterpiece Sweeney Todd, a love story and horror very sui generis, taken and adapted from a musical magic to the movies. Alice, in her wonderful, wonderful only to a certain point, and the rest at the first press conference he admitted that Burton wanted to make all the sacredness of the original: in this sense there is successful but, in all frankly, this writer loves too much Tim Burton does not miss his genuine madness.
Do not miss: In addition to dialogue and slang Carroli adapted into Italian, the moon through the eyes of the Cheshire Cat, a signature typical burtoniana. Sin is the only remaining. Regrettable but the ballet's delirious, surrounded by mystical hold and then fixed in un'ilare (too) dance step.
VOTE: 7 - Chained
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