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really acting nasty ... ON THE ROAD



Wild Hogs
By: Walt Becker.
Starring: Tim Allen, John Travolta, Martin Lawrence
, William H. Macy.
Genre: Comedy (96 ')
Comment: Nice and unpretentious. Or, as the title itself suggests, simply acting nasty. However worthy, the verve and the carbonation of at least a disinterested vision. Allen, Travolta, Lawrence and Macy are the 4 of the Hail Mary, called to make people laugh while riding a bike: Walt Becker has the great merit in directing
not pump too much material available to it than just simple gag sincere (even if sometimes, we admit, a little 'repetitive) and especially to shred tongued comic-moralistic staid those effects, which too often surround themselves with comedies like some kind of educational purpose. The adventure of four workers from the Atlantic to the Pacific
"retired in the soul" becomes a journey in search of Odysseus of Ithaca, with goals and issues that forced change, without ever forgetting the apparatus of laughter, interiority of the four characters. A linear film short, that will never happen in a competition of films nor
will be taken as a model for amateur novices of the seventh art, but for a good hour and a half is left to look pleasant, rambling on issues and read a story about frivolous saucy. Moreover, if the cinema was built only tough on films, you know what a drag ...
Do not miss: The presentation in the first frame of the four characters: 4 disillusioned with life present themselves to the public, immediately injecting a considerable comic verve: the rest with their faces (even the legendary Travolta does not clash) could not get out of a movies all laugh.
VOTE: 7

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V FOR VENDETTA to see, read, revise and re-read ...




V FOR VENDETTA by James McTeigue.
Starring: Natalie Portman, Hugo Weaving.
Genre: Fantasy (120 ')
Comment: It' s a cartoon, is an invention, yet involving and thought-provoking as a true story. Sure the special effects are essential to the success of almost a masterpiece, certainly the events narrated in a visionary future are pushed to the limit of credibility, but the doses of adrenaline and emotion guaranteed by the brothers Wachowsky (those of the Matrix, the producers of this film) to give culture popcinematografica a small gem that everyone, even those who just loves the "realist cinema," should keep in their video library. The credit is all about Alan Moore and David Lloyd who invented one of the most intense interlocking stories that paper comics has ever known, and then transfer their rights to director McTeigue to transpose their celluloid "baloons". By an order, decisive and blessed
: Do not change anything original, unlike many other famous (real Stan Lee?), Which before the dollars of producers, often deny the primary essence of their superheroes. V is the terrorist enemy of terror, it's good to bad forced by circumstances, being more distinct personality, who also finds himself trapped behind a mask for reasons of "privacy" (and, You'll find out, not only). Hugo Weaving (Matrix Smith and ex-elf in the service of King Frodo) chooses not to overdo it physically, by accepting an identity never revealed, while Natalie Portman, a beautiful and rebellious, is complementary with a recitation all nerves and beauty. Losing it would be an attack ...
Do not miss: The grand finale, which is not disclosed here. A little help? Big Ben has something to do
.

VOTE: 9

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wonderfullmatt.blogspot.com Number 23 Joel Schumacher has



NUMBER 23
By: Joel Schumacher
Starring: Jim Carrey, Virginia Madsen, Rhona Mitra, Paul Butcher, Patricia Belcher, Michelle Arthur.
Genre: Psychological Thriller
Length: 95 '
Comment: Dogcatcher Walter Sparrow is a quiet, his life unravels serene and soft. On his birthday, a coincidence of fate, his wife Agatha makes a gift of a disturbing book by its cover, red (number 23). Reading the book by Walter, initially skeptical about it, soon becomes a matter of urgency, and the shocking resemblance to the life of the novel's protagonist, Detective Fingerling, push the good family man into a vortex of neuroses initially for then srofondare in paranoia and, finally, to a murderous obsession drawn from the number 23. The subject is taken from a story by Stephen King, screenplay by Fernley Phillips (according to many, a protégé of King) directed by Joel Schumacher (What a coincidence 23ima his film), and the final result does not lose much of the suspense of the King of morbid thrill. The tension is ensured, Jim Carrey is superlative and surprising in this evil version of his mask usually jokes. His performance at times recalls the famous story of Jack Torrance (Nicholson), dealing with him as the dark side of human mind, nell'Overlook Hotel in The Shining.
not to be missed thanks to the addition of Rhona Mitra (who gave his avveneti forms Lara Croft), the incredible possibilities of the esoteric (logical) number 23 to infiltrate the small daily life (in addition to the numerous cameos of the same missing in the film), and be careful not to go the same tunnel Carrey Sparrow!

RATING: 7.5

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Sportfoglio. it presents: SUNSHINE Danny Boyle



SUNSHINE
By: Danny Boyle
Starring: Cillian Murphy, Chris Evans, Rose Byrne, Michelle Yeoh, Hiroyuki Sanada, Cliff Curtis, Troy Garity, Benedict Wong, Mark Strong, Nicholas Pinnock
Genre: Sci-Fi Thriller (100 ')
Comment: I have to admit: we love science fiction and Sunshine us a little disappointed. Claustrophobic, Gothic, desperate - lit - up to three quarters becomes trivial and grotesque in the last part when Boyle (yes, the same desperate and visionary director of Trainspotting) falls the temptation to leave the rails of the science fiction of '2001 Space Odyssey 'to approach to a mixed horror / action, however, just failed and useless. The plot is simple: 2057, the Sun is dying. The human race, close to extinction, relies on the fly dell'Icarus II, a spaceship armed with a nuclear device needed to wake the star. During the trip, the crew receives a mysterious signal from dall'Icarus But I, who died in a similar mission seven years earlier because of an accident. If our vote is close to 6 is only a first part that drops the viewer into hostile atmosphere where space is infinite absolute enemy of mankind. Fair evidence of multi-ethnic cast of scientists for the inevitable: the group stands the bewildered and charming Cillian Murphy, the group's physical, cold eyes and wasted air. Also good in some scenes and passages in the first part, the role of Clifford Curtis - the psychologist of the group - pledged to keep up the mood of a group started almost a mission impossible.
Do not miss the spacewalk in an attempt to repair the protective shield damaged by sunlight and the landing sull'Icarus I: if the movie had been maintained on the same track until the end would be a masterpiece ...

RATING: 5.5

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28 WEEKS AFTER



28 WEEKS AFTER
By: Juan Carlos Fresnadillo
Starring: Robert Carlyle, Rose Byrne, Jeremy Renner, Harold Perrineau
Genre: Horror (120 ')
Comment: Dealing with a piece of the critically acclaimed niche is never easy, but Fresnadillo does just fine, returning to the cinematic canon Danny Boyle and forcing their hand especially in the more action scenes.
If the first episode ("28 Days Later") evoked the terror without showing, rather than inspire more claustrophobic and especially psychic anxiety (a theme later taken up, albeit in different genres, always in Boyle's "Sunshine"), 28 weeks after passing the virus back especially for high-action scenes spectacular, where frenzy takes the place of reflection and the horror comes in the eye of the viewer without passing through his brain. The result is obviously slightly worse than the original, if only for the fact that the psychological technique of Boyle was made more difficult film than the sequel-style action movie Fresnadillo. The merits of the Mexican director, however, are different: having made an interesting story somewhat similar to the previous one, have held a meeting in the unconscious of an original soundtrack for the genre (a-rock sound that also accompanies the environmental darkest actions of the protagonists), and above all be able to Never loosen the tension: the film begins with a lot of time in the first frame and, if possible, last reached an electricity even more. Attention therefore also what happens after the credits.
Do not miss: The scene in pure splatter-movie-severed heads of the helicopter. The confirmation that the script for this second installment (but will it last?) Has played very strong on spectacle.

RATING: 7.5